Sean is a lighting designer, programmer, and software developer — a combination that has defined his career and ultimately led to ShowPulse.

As an associate designer and/or moving light programmer, Sean's Broadway credits include Othello, Some Like It Hot, Diana, Frozen, Aladdin, A Bronx Tale, The Hunchback of Notre Dame, Gigi, Once, Rock of Ages, How to Succeed in Business Without Really Trying, Motown, Million Dollar Quartet, Allegiance, Cat on a Hot Tin Roof, and The Crucible. International tours include Mary Poppins, The Addams Family, Beauty and the Beast, South Pacific, and Finding Neverland.

His most notable design is the theatrical and concert lighting for Universal Studios' Pitch Perfect.

Beyond theater, Sean has toured as Lighting Director for Drake, 21 Savage, Solange Knowles and others — environments where precision, adaptability, and problem-solving are critical.

Through it all, Sean kept one foot in code, building tools to solve problems he encountered in the field and no commercial software addressed.

Member of USA 829 and IATSE Local One. Graduate of North Carolina School of the Arts.

Brett's career has spanned over 30 years across legitimate theatre, industrials, installation, consultation, technical supervision, show control integration, and video design. His work lives at the intersection of technical precision and creative ambition — designs that don't just serve the story, but disappear into it, creating sonic environments audiences feel without noticing.

His immersive work has defined the field. As sound designer for Masquerade, Andrew Lloyd Webber's reimagining of The Phantom of the Opera, Brett faced the challenge of coordinating over 1,000 speakers across five floors with six simultaneous performances — and made it feel inevitable. Other immersive credits include the children's spectacle Pip's Island, Tyra Banks' Modelland, and The Ride NYC.

Theatrical credits span Broadway, off-Broadway, and beyond: Kiki and Herb—Alive on Broadway!, Avenue Q (Lucille Lortel Award), Speech and Debate (Roundabout), Baby Universe (Drama Desk Nomination), Two Trains Running (Audelco Nomination), Brutal Imagination (Lucille Lortel Nomination), Bill Irwin's Mr. Fox: A Rumination, Athol Fugard's Blood Knot and The Train Driver at Signature Theatre, and the long-running hit The Donkey Show. Dance credits include Alvin Ailey American Dance Theatre and Dance Theatre of Harlem.

Commercial and consultation clients include The City of New York, David Blaine, VICE, Thom Browne, and Villa Eugenie.

Brett holds a degree in Sound Design from the University of North Carolina School of the Arts.

His collaboration with ShowPulse stretches back to the platform's earliest days.